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Once again, as the series gets darker, the music matches, featuring colder piano and wind instruments that swirl like the old north wind on a cold Halloween night. Jones later performs the thoughtful, inviting “Over the Garden Wall” during a transitional point in the middle of the series as the main trio boards a boat of frogs. Greg sings the playful song “Potatoes and Molasses” to lighten the mood of the animal school children. And like fall's changing leaves, the score changes throughout the series. Parts of the song “Prelude” play in the background of both, and the rustic orchestral violin perfectly orchestrates the moment. The opening and closing shots of the second episode, “Chapter 2: Hard Times at the Huskin’ Bee,” features a leaf blowing through the wind with several shots of the scenery. From well-dressed frogs to the undead pumpkin wearers in Pottsfield, from a school filled with animals to wealthy tea company owners, from the Highwayman’s ( Jerron “Blind Boy” Paxton) stubble and black eye marks to Auntie Whisper’s ( Tim Curry) cuddly yet monstrous look, McHale fills The Unknown with any creature and human you can imagine.Īside from the great animation, the score by The Blasting Company adds so much to the nostalgic and creepy vibes the show has. Additionally, the villagers throughout the various settings of the Unknown are simply unforgettable. Wirt and Greg have iconic costume designs mixing contemporary creative Halloween looks with a classic aesthetic. The evocative and art museum-worthy backgrounds set the mood, while the character designs add the personality. The woods also get greyer and darker as Wirt starts to lose hope in the second half of the series, matching the negative tone of the protagonist. The backgrounds are lush with detailed trees mixed with lush shadows, sometimes engulfing the characters. The leaves are a mix of different shades of orange, green, and yellow as they flow in the wind. McHale and company’s animation – inspired by postcards McHale saw as a kid – plays perfectly into the fall mood. This sequence combines two central aspects of Over the Garden Wall that make it tailor-made for Halloween: the animation and the score. After singing, the frog introduces the mysterious Unknown, “where long-forgotten stories are revealed to those who travel through the wood.” The frog, voiced by veteran singer/actor Jones, sings a tune called “Into the Unknown” as images setting up different moments in the series flash by (the final lyrics sung are “How the gentle wind beckons to the leaves/As Autumn colors fall”).
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The series starts with a title sequence featuring Greg’s frog playing a haunting piano tune in the dark.
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RELATED: Guillermo del Toro's Stop-Motion Movie 'Pinocchio' Adds 'Over the Garden Wall' Creator McHale and his team deserve said reputation for creating a series with an aesthetic perfect to watch during the dark, haunting, and unique season that is Halloween. The 10-episode miniseries came and went in fall 2014, but now has garnered a cult following particularly during the fall. Patrick McHale’s ( Adventure Time) Cartoon Network show centers around a pair of stepbrothers, Wirt ( Elijah Wood) and Gregory ( Collin Dean), who try to escape The Unknown, a seemingly infinite woods, with the guidance of a cursed bluebird named Beatrice ( Melanie Lynskey), all while Gregory tries to find a name for his frog ( Jack Jones).
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Over the Garden Wall speaks to the peculiar Halloween season, albeit in a more family-friendly environment.
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Many horror films are not directly about Halloween, yet they connect with the season because the tone and environment created capture essential elements of the season. The Nightmare Before Christmas can simultaneously represent two holidays at once. Die Hard can be considered a Christmas film despite its violence and heavy storyline. Defining what film or television series should connect to a holiday or season is tricky.